When I go to church, I am met by no upturned nose and scornful lip to tell me, 'We don't allow niggers in here!'". His new novel, TransAtlantic, likewise dramatises Irish-American encounters, and once again features elements of nonfiction, and a gravity-defying central metaphor. 0 comments. Starting in Dublin, it moves to New York in August 1974, and spins a web of interconnected stories around Philippe Petit's high-wire walk between the newly built Twin Towers. It examines the lives of factual men and fictional women. The first half of TransAtlantic features non-fictional stories about great men, united by theme but not by narrative. The award-winning McCann (Let the Great World Spin, 2009, etc.) the chattel becomes a man. Read honest and unbiased product reviews from our users. By Hannah Gilchrist. It’s the sheer ambition, the audacity to imagine within the same novel the experience of Frederick Douglass in 1845 . This section and that belonging to George Mitchell are the novel’s weakest. And while McCann is skilled at creating convincing female characters, Hannah isn’t one of them, in part because she seems insufficiently shaped by the sorrow that has afflicted her life. Find helpful customer reviews and review ratings for [ Transatlantic BY McCann, Colum ( Author ) ] { Paperback } 2014 at Amazon.com. TransAtlantic is a novel by Colum McCann, published in June 2013. Making an oft-told tale seem newly minted is a rare and wondrous gift, and McCann locks the reader into “TransAtlantic” with this bold and bravura opening. Like Let the Great World Spin, TransAtlantic boasts impressive amounts of research and a carousel of perspectives. After that, it’s forward to 1998, when Senator George Mitchell is in the midst of brokering the Good Friday Accords for peace in Northern Ireland; then back again, to 1863, as Lily Duggan tends the wounded of the American Civil War, hoping for a sight of her soldier son. . (Taschenbuch) - bei eBook.de. Having read 'Let the Great World Spin' which was a fabulous read I realised Colm McCann puts so much into his novels they can not be read through quickly so I read other books alongside reading Transatlantic as I wanted to savour every page. It leaps back and forth in time and touches the shores of Ireland, Newfoundland, and America. Except that in the hands of a novelist as skilled as McCann, it’s not: the wonder of this opening chapter is that his language, his close observation, his sense of the lives behind the history, will make even an aviation buff hold his breath. First published on Sat 1 Jun 2013 08.30 BST. Each narrative inhabits the point of view of its central character. What these sections have in common is a sense that they are fulfilling a political or structural void, rather than an emotional or narrative need. Die Konstruktion des Romans ist zwar einerseits locker und leicht, aber andererseits aufgrund zahlreicher Zeit- und Ortssprünge schwer zu erklären, erklärt die Rezensentin. Instead of a democratic government, I am under a monarchical government. Bestseller Neuerscheinungen Preishits … TransAtlantic is deft, well-crafted, and broad in its imaginative range. Some were naked to the waist. Stylistically, McCann leans very heavily on one particular syntactical formation, the sentence capped by two or more lilting verbless fragments, which comes to seem like a mechanical affectation. McCann ist mit unglaublicher Fantasie gesegnet. Lily Duggan, a maid at the house of Douglass's host and publisher, is inspired by his example to board a coffin ship for a new life in America. None had shoes. Dublin, 1845: Der amerikanische Abolitionist Frederick Douglass reist durch das von Hungersnot gepeinigte Irland, wo die Leute schlimmer leiden als unter der Sklaverei. TRANSATLANTIC. Kostenlose Lieferung für viele Artikel! A funambulist.”) Douglass, however extraordinary his own life may now seem to him, is celebrated and admired in Ireland, while Lily — who in Douglass’s own country would be seen as his superior simply because of her race — barely merits notice. (We don't hear much, for example, about Douglass's belief that the famine was caused by intemperance.) McCann dwells heavily on the positive Irish-American encounters, such as the inspiration that Douglass drew from Daniel O'Connell, the Liberator, and downplays the more embarrassing ones. Spectral. McCann is fond of quoting John Berger's line, that "never again will a single story be told as if it were the only one"; his novels groove on multiple storylines, diverse perspectives, and wide sympathies – all usually arranged around a central image of some awe‑inspiring human feat. I employ a cab – I am seated beside white people – I reach the hotel – I enter the same door – I am shown into the same parlour – I dine at the same table – and no one is offended. Then we are taken to a lough just outside Belfast in 1978, the midst of the Troubles, and to Emily’s daughter, Lottie. “What distinguishes TransAtlantic from [Colum] McCann’s earlier work isn’t the stunning language or the psychological acuity or the humor and imagination on display—all of that has been there before. Irish-American history lays its hand upon the present in a novel of journeys and returns . Find helpful customer reviews and review ratings for TRANSATLANTIK - KOCH,WOLFRAM at Amazon.com. In the opening pages of Colum McCann’s new novel Transatlantic, two veterans of the Great War meet for the first time and recognize one another as kindred spirits.“Alcock and Brown took one look at each other and it was immediately understood that they both needed a clean slate,” McCann writes. Her daughter Emily Ehrlich is a pioneering female journalist who covers the Alcock and Brown flight. McCann sets up a subtle parallel, or comparison, between Lily and Douglass — the early section that weaves their two stories together, however loosely, is one of the most powerful in the book. Emily's daughter Lottie marries a Belfast man, and meets Mitchell in the third section. Lily’s daughter is Emily, who becomes, against the odds, a journalist — you’ll realize you’ve met her before, when she was a local reporter in Newfoundland covering Alcock and Brown’s flight. 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