Ending 01 7. sequence music 8. Live at the Tokyo Dome (2012) | It may also be read "as part of a dark male fantasy world, perhaps constructed as a means of dealing with loneliness caused by a broken relationship or a series of broken relationships with women. (1970) | [6] With the success of the Jagger-Richards-penned singles "(I Can't Get No) Satisfaction" (1965), "Get Off of My Cloud" (1965) and "19th Nervous Breakdown" (1966), the band increasingly rivalled the Beatles' musical and cultural influence. It was released in the United Kingdom on 15 April 1966 by Decca Records and in the United States on 2 July by London Records. [36] While Nitzsche was shocked at how cruelly they treated Jones, he later said that Jones was sometimes absent or incapacitated by drugs. As Schaffner remarks, "the brutal thrust of such ditties as 'Stupid Girl,' 'Under My Thumb' and 'Out of Time' has since, of course, induced paroxysms of rage among feminists. He also notes how Richards' guitar riff and solo on the latter track are "minimalistic, in a fairly low tessitura and relatively emotionless", compared to previous Stones hits like "(I Can't Get No) Satisfaction", "Get Off of My Cloud" and "19th Nervous Breakdown". [2] One of Klein's first actions on the band's behalf was to force Decca Records to grant a $1.2 million royalty advance to the group, bringing the members their first signs of financial wealth and allowing them to purchase country houses and new cars. AFTERMATH was an important milestone for the Stones. Manufacturers, suppliers and others provide what you see here, and we have not verified it. doncha bother me. the singer displays contempt for his lady. Als Produzent war Andrew Loog Oldham verantwortlich. [146] In a retrospective review for AllMusic, Unterberger applauds the band's use of influences from Dylan and psychedelia on "Paint It, Black", and similarly praises "Under My Thumb", "Lady Jane" and "I Am Waiting" as masterpieces. [61] Moon believes the time period's flower power ideology is recast in a dark light on "these tough, lean, desperately lonely songs", while Norman calls them "songs of callow male triumph" in which Jagger alternately displays childlike charm and misogynistic scorn. [32] Davis cites the "acid imagery and exotic influences" on Rubber Soul, particularly George Harrison's use of the Indian sitar on "Norwegian Wood", as the inspiration for Jones' experimentation with the instrument in January 1966: "One night George put the massive sitar in Brian's hands, and within an hour Brian was working out little melodies. Compositeurs des titres présents sur leurs albums depuis Out Of Our Heads (1965), le duo Jagger & Richards peut encore s'appuyer sur le génie intact de Brian jones pour les arrangements et pour créer des ambiances uniques à chaque morceau. [94][nb 5] "Out of Time", "Take It or Leave It" and "What to Do" were similarly cut from the US LP's running order in an effort to significantly reduce its length, in keeping with the industry policy of issuing shorter albums and maximising the amount of LP releases for popular artists. Find album reviews, stream songs, credits and award information for Aftermath - The … [67] As Greil Marcus observes, the songs' protagonists can be interpreted as London bohemians severely disdainful of bourgeois comfort, positing "a duel between the sexes" and weaponizing humour and derision. [46], Along with their 1967 follow-up, Between the Buttons, Aftermath is cited by Malvinni as part of the Rolling Stones' pop-rock period as it features a chordal range more diverse and inclusive of minor chords than their blues-based recordings. [11] The group dynamics were also affected by some of the band members' romantic entanglements. Women feature as prominent characters in their often dark, sarcastic, casually offensive lyrics. The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours. Misogyny, as on "Under My Thumb", "may be just a tool for restoring the fragile narcissism and arrogance of the male narrator", muses the music scholar Norma Coates. Der Endtitel der ersten LP-Seite, Goin’ Home, überschreitet als eines der ersten Rock-Stücke die 10-Minuten-Grenze. The French magazine Rock & Folk included Aftermath in its 1995 list of "The 300 Best Albums from 1965-1995". Aftermath, Experience the Sixties. It was released on August 25, … Aftermath. Formalités douanières et suivi international fournis + Frais de livraison estimés (15,42 EUR) S O H p o K n s 7 V S B o r E i O 6 s é 9. [107] It was released just months before Bob Dylan's Blonde on Blonde and the Beatles' Revolver, albums by artists that Jagger and Richards had received comparisons to while Oldham was promoting the band's artistic maturation to the press. [18] Shrimpton was devastated by the lyrics to "Out of Time", in which Jagger sings, "You're obsolete, my baby, my poor old-fashioned baby". [58] Davis likens "Lady Jane" to a Tudor love song with lyrics apparently inspired by Henry VIII's love letters to Lady Jane Seymour. A list of all the groups that have released album covers that look like the The Rolling Stones Aftermath album. [12] Jones' new relationship with the German model Anita Pallenberg, which had taken on sadomasochistic aspects, helped renew his confidence and encourage him to experiment musically, while her intelligence and sophistication both intimidated and elicited envy from the other Stones. [9], Within the Stones, tensions were rife as Brian Jones continued to be viewed by fans and the press as the band's leader, a situation that Jagger and Oldham resented. At the time, … [122] Writing in Esquire in 1967, Robert Christgau said that the Stones' records present the only possible challenge to Rubber Soul's place as "an album that for innovation, tightness and lyrical intelligence" far surpassed any previous work in popular music. Sie spielen melodiösen Indie-Rock und werden insbesondere auch wegen Eistrups hoher Stimme oft mit den frühen Radiohead verglichen. The Rolling Stones No. It is their first to consist entirely of original compositions, all of which were credited to Mick Jagger and Keith Richards. 'goin home.' his obsession is her. Get Yer Ya-Ya’s Out! Aftermath; Soundtrack album by . I Am Waiting11. Size: 16" x 20" 20" x 24" 30" x 40" Framing: NO YES. (1972). [59] In what the music journalist Chris Salewicz terms a "disingenuous" claim, Jagger told Shrimpton that "Lady Jane" was written for her.[60]. Keith Richards fell in love with her too, and their romantic triad realigned the precarious political axis within the Stones. Metamorphosis (1975) | Blue & Lonesome (2016). [79] According to Davis, "in the bitterness (over lack of control of their work) that followed, the album was called Aftermath for want of another concept. [89] The British edition of Aftermath featured a run-time of 52 minutes and 23 seconds, the longest for a popular music LP at that time. as their manager's proposed title for the band's March compilation album Big Hits (High Tide and Green Grass), rather than for Aftermath. [74] In Rolling with the Stones, Wyman refers to the announcement as "audacity" on Oldham's part, although he attributes Could You Walk on the Water? Find your thing. [38], Because of Jones' distractions, Richards ended up playing most of the guitar parts for Aftermath, making it one of the first albums to have him do so. Let It Bleed (1969) | 1,12 EUR 1 enchère + 24,24 EUR livraison . Some Girls (Deluxe) (2011) | He said that in songs such as "Stupid Girl" and "Under My Thumb", the Stones had "defied a central taboo of the social system" and that "they have done so in the most radical and unacceptable way possible: by celebrating it. Shine a Light (2008) | (Deluxe)  (2009) | The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours. [125] It was an inaugural release of the album era, during which the LP replaced the single as the primary product and form of artistic expression in popular music. Format: Vinyl, LP, Album, Mono, shadow cover. Aftermath by Nuke Watch, released 01 October 2020 1. [13] Jagger came to view his girlfriend, Chrissie Shrimpton, as inadequate by comparison; while Jagger sought a more glamorous companion commensurate with his newfound wealth, the aura surrounding Jones and Pallenberg contributed to the end of his and Shrimpton's increasingly acrimonious relationship. [ 124 ] [ nb 7 ], Some retrospective appraisals are critical towards the harsh treatment of characters! 1966 in the UK, marked the beginning of the best job yet of alienating the.! 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