Lyn Hejinian teaches at the University of California, Berkeley. PPTX, PDF, TXT or read online from Scribd, American Sniper: The Autobiography of the Most Lethal Sniper in U.s. Military History, Good to Great: Why Some Companies Make the Leap...And Others Don't. I’m in an academic office. Her work has experimented with our perception of the pick-up, the point of up-take, the beginning of conscious attention across the gap between stop and start. Something ordinary and everyday, just as much as something outrageous or surprising, can be transformed into an aesthetic event, undergo an aesthetic realization, but it does so precisely by remaining particular. Lyn Hejinian’s My Life and Bernadette Mayer’s Midwinter Day both articulate a domestic quotidian devoted to what Rita Felski in calls “the repetitive Doing Time tasks of social reproduction.” Mindful of the over-determined relationship between gender and the everyday, Hejinian and Mayer use the long poem to convey the elusive Waking, I quickly write the dream words, lineating as I do so, increasingly uncertain that what I’m writing down are actually the words that came to me, displayed on the dream screen. Dispersed parts are reunited into their apparent whole. Her most recent books include A Border Comedy (Granary Books, 2001), Slowly and The Beginner (both published by Tuumba Press, 2002), and The Fatalist (Omnidawn, 2003). The Language of Inquiry is a comprehensive and wonderfully readable collection of her essays, and its publication promises to be an important event for American literary culture. Riddles proffer objects, situations, or images, but their identity is withheld. The copy I have of Hejinian's My Life esteems both its wide readership by 'hundreds … Lyn Hejinian is among the most prominent of contemporary American poets. The original book, written when Hejinian was 37 years old, contains 37 chapters of 37 sentences each. Still, it’s difficult to resist the pull of seductive totality, which even the particular can exert. Her autobiographical poem My Life, a best-selling book of innovative American poetry, has garnered accolades and fans inside and outside academia.The Language of Inquiry is a comprehensive and wonderfully readable collection of her essays, and its publication promises to be an important event for American literary culture. Epiphanies negate particularity. “If you abolish the whole, you abolish its parts; and if you abolish any part then that whole is abolished.” What am I? In the opening lines (in the first number’d section) of “The Distance”—in Lyn Hejinian’s two-poem book Saga / Circus (Omnidawn, 2008)—is an implicit nod to William Carlos Williams’s “no ideas but in things” follow’d by an emphatic (and rather uncharacteristically petulant (a foot-stomp for Hejinian)) dismissal of the powers of metaphor: for every idiocy perfection of the abstract sea, The Hard-to-Find Chapbooks of Geoffrey Young. It’s almost December. Lyn Hejinian was born in Alameda, California, in the San Francisco Bay Area, and educated at Harvard. My Life has ratings and 62 reviews. For twenty years, Lyn Hejinian taught in the English Department at the University of California, Berkeley, where her academic work was addressed principally to modernist, postmodern, and contemporary poetry and poetics, with a particular interest in avant-garde movements and the social practices they entail. Connectivity is the advantage humans have over happenstance. An overview of. Waking solves nothing—quite the opposite. Poet, essayist, translator, and publisher Lyn Hejinian is a founding figure of the Language poetry movement of the 1970s and an influential force in the world of experimental and avant-garde poetics. Tagged: Lyn Hejinian, poetry, Reviews, Weekend Karla Kelsey Karla Kelsey is author of four books, most recently A Conjoined Book (Omnidawn, 2014) and Of Sphere (Essay Press, 2017). In 2003, Hejinian published a related, ten-part work called My Life in the Nineties. Lyn Hejinian's "The Distance" (the second of two long pieces in her new book, Saga/Circus) adds the rarely-considered emotions and passions, regret, pathos, cowardice, enthusiasm, forgetfulness, understanding, shock, love. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of … In the world Hejinian unfolds, context, our surround sound, can exist for itself alone. In whatever one does, one deploys or proffers or expresses or articulates or displays both conscious and unconscious style. But isn’t midnight intermittent. Her groundbreaking book of poetry, My Life, published by Sun & Moon / Green Integer, has had five re-printings from 1980-2002. for every idiocy perfection of the abstract sea I am tasked with situating them, placing them. Lyn Hejinian is the author of numerous books, the most recent of which is The Unfollowing.She teaches at the University of California, Berkeley, where her academic work is addressed principally to modernist, postmodern, and contemporary poetry and poetics, with a particular interest in avant-garde movements and the social practices they entail. In Happily Hejinian presents life as untempered. Yes! Freedom lies in dreams. Are Trump Staffers Taking Home White House Artworks That Belong to the Public? By Lyn Hejinian. AMERICAN LITERATURE Summary of Oblivion by Lyn Hejinian Lyn Hejinian • American poet, essayist, translator and publisher • Founding figure of the language poetry movement of 1970s • Influential force in the experimental and Avant-garde poetics • Poetry characterized by an unusual lyricism and descriptive engagement • Author of many poetry collections including “My Life and My Life in the Nineties” • “The … As such, their functional identity is in abeyance; who knows what’s possible. He sings something, a short refrain, hardly more than a mumbled melody—or memory—embedded in his voice. Note: This is the sixth section of My Life, “marking” Lyn Hejinian’s sixth year, It appears on pp. Lyn Hejinian Omnidawn. Of course not. Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Bulky, awkward, stupid, the pigeons, entirely without merriment, stay just out of reach. As, for example, in minimalist painting—and, perhaps, more problematically, in minimalist musical compositions, whose micro-modulations can become as pervasive as dust. Or I hallucinate them (they have the convincing force of perceptual truth when it grabs reality and won’t let go) and see: a pronoun dog along, an adverb on Lyn Hejinian teaches at the University of California, Berkeley. She has also been co-editor of Poetics Journal for over twenty years. "Reading Lyn Hejinian's HAPPILY can make one imagine a second, somewhat happier Stein telling stories in single long or short lines that are aware of one another as they go about their own affairs. His breath is slightly stale; she turns over, the comment “I’m changing my olfactory orientation” crosses her mind and amuses her, and she falls back to sleep. Gates swing with creativity, familiarity exerts creative sway. Hejinian avoids any semblance of narrative structure or … She is the co-director (with Travis Ortiz) of Atelos, a literary project commissioning and publishing cross-genre work by poets, and the co-editor (with Jane Gregory and Claire Marie Stancek) of Nion Editions, a chapbook press. At Café Roma, Alice Milligan Webster and Judge Lorna Kelly Cole are sharing a convivial moment of misanthropy. Much of everyday life in the nineteenth century took place in interiors—in the domestic sphere. But they are only a crutch. Lyn Hejinian (born May 17, 1941) is an American poet, essayist, translator and publisher. Here are some of the many useful instruments of a late November day around the Thursday of Thanksgiving: baster, bed, belt, blanket, book, boots, bra, bread board, broom, bus, candlestick, carving knife, cash, cell phone, chair, Clingwrap, coat, coffee maker, colander, comb, computer, deodorant, desk, dishwasher, doorknob, dust pan, envelope, faucet, file folder, garbage can, glass, glasses, gravy boat, hairbrush, hair dryer, hand lotion, jar, key, knife, mouse, mug, notebook, paper, pen, pencil, pie dish, pillow, plate, platter, postage stamp, pot, printer, radio, rake, refrigerator, roasting pan, rolling pin, shampoo, shirt, shower, sink, skillet, skirt, soap, socks, sofa, spatula, sponge, spoon, stapler, stove, sweater, table, toaster, toilet, toothbrush, towel, umbrella, underpants, waste basket, watch, wine glass. The Russian poet Arkadii Dragomoshchenko and the American poet Lyn Hejinian have collaborated on a number of projects, including the translation of each other’s work. Lyn Hejinian (born May 17, 1941) is an American poet, essayist, translator and publisher, often associated with the Language poets.. Hejinian was born in the San Francisco Bay Area and lives in Berkeley, California with her husband the composer/musician Larry Ochs. Michael said: A work of slow art, as well as one of the few collections of Language poetry that has aged well. Aerial 10 : Lyn Hejinian ( Book ) The nonconformist's poem radical "poetics of autobiography" in the works of Lyn Hejinian, Susan Howe and Leslie Scalapino by Kathy-Ann Tan from Writing Is an Aid to Memory: 17. Gears mesh, systems circle. This video is unavailable. Hejinian's characteristic linguistic intensity and philosophical approach are present in this book- length poem. One Poem by Lyn Hejinian. If it is finished (perhaps, she tells us, in the summer of 2009? "—Bob Perelman Among the more mild of them are doubt and ambivalence, since they are indigenous to interiority, which is, after all, an arena for muddling. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. Lyn Hejinian is a poet, essayist, teacher, and translator. 19-20 of the Sun & Moon edition (1980). As arts communities around the world experience a time of challenge and change, accessible, independent reporting on these developments is more important than ever. When will it rain? Weak as we are, it’s our principle instrument of defense. That comes with the ways in which she sets every idea, feeling, variety of situatedness into motion. First published in 1980, and revised in 1987 and 2002, My Life is now firmly established in the postmodern canon. Interrelated objects, producing occasions and prompting responses, can assemble into riddles. Read More. As he sings, he gains something: weeping—he weeps. By Lyn Hejinian. Moment, not meant, change of stress. Lyn Hejinian’s recent poetry sets a trap for its reader and, particularly, for a reviewer or commentator—a trap to say what her poems mean, or, to ask the question with an overly valued word in Western and modern U.S. society, what “knowledge” do we “take” from her poems? LYN HEJINIAN is a poet, essayist, and translator. I must think of myself as a plaything of chance, a product of contingency. Elation gives way to calm, grief to acceptance or the lassitude of depression. This addition isn't her major philosophical innovation. Lyn Hejinian is a poet, essayist, and translator. An audio recording of Hejinian’s reading and discussion while in residence can be found at PennSound. This addition isn't her major philosophical innovation. In addition to her other academic work, she has in recent years been involved in anti-privatization activism at the University of California, Berkeley. Either way, one adopts style on behalf of its survival value. They are known from the earliest times to move in a strictly ordered system of mutually dependent relations.” Dawn is not far off. Her autobiographical poem My Life, a best-selling book of innovative American poetry, has garnered accolades and fans inside and outside academia.The Language of Inquiry is a comprehensive and wonderfully readable collection of her essays, and its publication promises to be an important event for American literary culture. Two children, neither more than five or six years old, are running at pigeons on the sidewalk outside the café. Editor: Bernadette Keating The first time I had the pleasure of hearing Lyn Hejinian was her lecture ‘The quest for knowledge in the western poem,' (free under the Naropa University Archive Project and the Jack Kerouac School of Disembodied Poets) which introduced me to her particularness about language. from Writing Is an Aid to Memory: 16. Askari Nate Martin is asleep on his back, arms folded, legs straight, toes pushing at the bedding at the end of the bed. It is one poem in a series Hejinian has been writing, a project she currently calls The Book of a Thousand Eyes. Indeed, who knows what’s happening, what has already happened? These remain of interest and inform her continuing research and writing. Here perhaps we can note “the power of nature,” a subtle version of nature’s destructive capacity: the tumult of storms, the geological upheavals of earthquakes and volcanoes, etc. She has also been co-editor of Poetics Journal for over twenty years. In 2005, Lyn Hejinian was a Writers House fellow. Lyn Hejinian’s poem “Elegy” is a profound commentary on the relationship between life and death, flesh and imagination, and beauty and freedom. From "The Rejection of Closure" My title, „The Rejection of Closure," sounds judgmental, which is a little misleading˜though only a little since I am a happy reader of detective novels and an admiring, a very admiring, reader of Charles Dickens‚ novel. or pink vivacity. Wesleyan University Press introduced a fresh printing of these important texts in 2013. The gravitational force of the happy imagination pulls at the outer world, dragging material into perception. A beautiful autobiographical prose-poem, and, like any life, a continuous work in progress and revision. I remain still largely indeterminate, incompletely formed, despite my being now over 70. The poem talks of nothing but imagination. My Life and My Life in the Nineties includes the entirety of the forty-five-part prose poem sequence, My Life, as well as the ten-part work, My Life in the Nineties. Memory presents itself conceptually as something very like nature, as all one thing, largely contingent, autonomously rational, with cycles of recurrence that are never the same. She was editor of Tuumba Press from 1976 to 1984, when it pioneered in issuing a series of fifty Language poet chapbooks. Please consider supporting our journalism, and help keep our independent reporting free and accessible to all. Through style, the deployment of our adopted syntax, we (humans) forge connections. A spasm of memory—physical, physiological, geographic, and seemingly perpetual. Poet, essayist, and translator, she is also the author and coauthor of several books of poetry, most recently Tribunal (Omnidawn Publishing, 2019). Somewhere non-freedom lies, too. Lyn Hejinian (born May 17, 1941) is an American poet, essayist, translator and publisher.She is often associated with the Language poets and is known for her landmark work My Life (Sun & Moon, 1987, original version Burning Deck, 1980), as well as her book of essays, The Language of Inquiry (University of California Press, 2000). An authority (dressed in blue) is in the doorway with three large yellow envelopes. Pleasures? A work of slow art, as well as one of the few collections of Language poetry that has aged well, My Life in its original form consists of 37 sections, 37 sentences each, that condense the first 37 years of the life of avant-garde poet Lyn Hejinian into verse. Lyn Hejinian teaches at the University of California, Berkeley. Take this little poem of Lyn Hejinian’s, for example. Like nature (at least until humans mucked with it so mercilessly that it became unnatural out of sheer self-defense), memory is self-stabilizing, but only because time is on its side. Freedom as gravel on a private road Poet, essayist, and translator, she is also the author and coauthor of several books of poetry, most recently Tribunal (Omnidawn Publishing, 2019). Her poem My Life has garnered accolades and fans inside and outside academia. "Lyn Hejinian is among the most prominent of contemporary American poets. The poems in Lyn Hejinian’s The Unfollowing are to the sonnet what the prose poem is to verse. “Endlessly”—that’s how I characterize my effort in the dream—endlessly, I “phrase.” I have to pace and place the semantic arrival of the words, their “meaning units.” But I’m not sure where to insert divisions. To the degree that one’s style (or styling) is conscious, it’s an expression not just of one’s attitudes but of who one thinks one is or wants to be or wants to be believed to be. It uses count-less personification to place imagination as a human-like being. Lyn Hejinian, essay, 2 prose poems. The music may be luscious, and its intentions may be innocuous, while the effects are insidious, producing the mollifying effect of an all-encompassing ideology. It provides one with a way to practice overcoming something, even perhaps oneself, or the moods that seem identical with oneself, self-determining. 1 F rom Lyn Hejinian’s long poem Happily: « The event is the adventure of that moment » (Hejinian 2000a, 9).Come. In the twentieth century, it moved increasingly into the streets, at least in cities. We develop syntax, take on style, so as to prevail. But there are exiles there too, expert at exile, old hands at getting by. To the degree that it’s unconscious, so-called natural, or, rather, to the degree to which, as far as oneself is concerned, it’s formative (constitutive of how one is, the determination of one’s manner)—it’s adverbial. Longtime friends despite living vastly far apart – Lyn in Berkeley and Ed in Chicago – they’ve been in close dialogue for almost 20 years. ), it might consist of 1,000 poems; more likely of 310 or a few more of them (the number she had … I’m not responsible for the words, they just show up in the dream. Time goes by. Lyn Hejinian (b. She is often associated with the Language poets and is well known for her landmark work My Life (Sun & Moon, 1987, original version Burning Deck, 1980), as well as her book of essays, The Language of Inquiry (University of California Press, 2000). The refugees, exiles, fugitives, or the merely stranded, confused, lost, or even, often, merely homesick—they suffer nausea, loss of appetite, agoraphobia. But freedom is always qualified—dedicated, flaunted, overseen, negated. Introspection is not a retreat; it’s an advent, into an unquiet space, generally gloomy, certainly not restful. The gravitational force of weeping pulls at one’s inner world, from which it picks up scraps of the past. My own contribution to what has become a poem, is an account, in prose, of a dream I had on January 27, 1996, in Tuscaloosa, Alabama: 8. Or we could call it esprit, and that might entail panache, éclat, or, antithetically, despondency, dysphoria, ire. Lyn Hejinian was born in Alameda, California, in the San Francisco Bay Area, and educated at Harvard. Lyn Hejinian on her groundbreaking My Life and reordering time. She is often associated with the Language poets and is well known for her landmark work My Life (Sun & Moon, 1987, original version Burning Deck, 1980), as well as her book of essays, The Language of Inquiry (University of California Press, 2000). Lyn Hejinian teaches at the University of California, Berkeley. Her poetry is characterized by an unusual lyricism and descriptive engagement with the everyday. Maggie Fornetti is asleep on her side, right leg straight, left leg bent and drawn close to her body, left arm across her chest, right bent and tucked close to her side. As such, the performances of it become an elaborate advertisement for something that its listeners can’t name but begin to long for—something that constrains their freedom, even as their minds wander. And to do that I have to recognize the “units” into which they should be grouped. Her poem My Life has garnered accolades and fans inside and outside academia. Lyn Hejinian (born May 17, 1941) is an American poet, essayist, translator and publisher, often associated with the Language poets.. Hejinian was born in the San Francisco Bay Area and lives in Berkeley, California with her husband the composer/musician Larry Ochs. An overview of My Life and an introduction to the idea of the non-narrative or anti-narrative prose-poem memoir, an audio file that includes a partial interpretion of this sixth section, is available here. the space and seam and purple is With the pain, such as it is, comes a flicker of history. She is the author of over twenty-five volumes of poetry and critical prose including HEARING with Leslie Scalapino (Litmus Press, 2021), AERIAL 10: LYN HEJINIAN (Edge Books, 2016), THE BEGINNER (Tuumba Press, 2002), POSITIONS OF THE SUN (Belladonna*, 2018), and SLOWLY (Tuumba Press, 2002). wilt Roy Robinson Trelaine has a raw blister on his right foot and this may be what’s preventing him from moving swiftly forward again into the battle (his term), which, however, hasn’t yet begun. The children are wielding wooden sticks like swords, jabbing at the pigeons, shrieking. The real pleasure comes from the illusion of restored order. Her poetry presents the same problems to me that Gertrude Stein’s does. Composed of forty-five sections, titled, each containing forty-five sentences, My Life is an experimental memoir poem. Lyn Hejinian (born May 17, 1941) is an American poet, essayist, translator and publisher. My Life by Lyn Hejinian. Become a member today », Transverso, part of 100 Years of Athos Bulcão at the Centro Cultural Banco do Brasil, Belo Horizonte (photo by Elisa Wouk Almino / Hyperallergic). But they become my responsibility. Lyn Hejinian's My Life is one of the foundational texts of Language Poetry. Askari Nate Martin sighs in his sleep, and Maggie Fornetti feels his breath on her face before she realizes she’s heard it. Lyn Hejinian reads from The Beginner, The Fatalist, Oxota: A Short Russian Novel, and some work in progress. Editor: Bernadette Keating The first time I had the pleasure of hearing Lyn Hejinian was her lecture ‘The quest for knowledge in the western poem,' (free under the Naropa University Archive Project and the Jack Kerouac School of Disembodied Poets) which introduced me to her particularness about language. These remain of interest and inform her continuing research and writing. I find it difficult to engage Hejinian’s poetry. A Funny Thing Happened on the Way to School... Shoe Dog: A Memoir by the Creator of Nike, A Quick and Simple Summary and Analysis of The Miracle Morning by Hal Elrod, No More Mr. Nice Guy: A Proven Plan for Getting What You Want in Love, Sex and Life, An American Marriage (Oprah's Book Club): A Novel, 33% found this document useful, Mark this document as useful, 67% found this document not useful, Mark this document as not useful. Lyn Hejinian is among the most prominent of contemporary American poets. Lyn Hejinian teaches at the University of California, Berkeley, where her academic work is addressed principally to modernist, postmodern, and contemporary poetry and poetics, with a particular interest in avant-garde movements and the social practices they entail. Lyn Hejinian's "The Distance" (the second of two long pieces in her new book, Saga/Circus) adds the rarely-considered emotions and passions, regret, pathos, cowardice, enthusiasm, forgetfulness, understanding, shock, love. First published in 1980, and revised in 1987 and 2002, My Life is now firmly established in the postmodern canon. Lyn Hejinian, My Life Note: This is the sixth section of My Life, "marking" Lyn Hejinian's sixth year, 1947-48.It appears on pp. With Barrett Watten, she is the co-editor of A Guide to Poetics Journal: Writing in the Expanded Field 1982–1998, and the related Poetics Journal Digital Archive (Wesleyan University Press, 2013/2015). “The stars have […] virtue for the allegorist: they belong in constellations. In an essay on circuits and screens, capitalism’s inventiveness is acknowledged, along with the complexities of its flow, over filigrees, planes, and curls. Interviews, praise from fellow poets, more links to poem excerpts, Hejinian's essays from The Language of Inquiry (a collection of essays she wrote on poetics), other bits of info on her. We are not talking about oblivion here, nor safety, nor domesticity, nor the familiar; interiority is much more likely to present one with troubles. How to Recognize Right-wing Dog Whistles and Symbols, From Viking Hats to Flags, Plan to Sell Diego Rivera Mural at San Francisco Art Institute Draws Backlash, Listening to the Joy in James Baldwin’s Record Collection, The California Studio at UC Davis Is Accepting Applications for Artists in Residence, Breathing With Zarah Hussain at the Peabody Essex Museum, Proudly powered by Newspack by Automattic. Now and then within the circuitries of communication the volume of noise increases, sometimes aspiring to cause interference, sometimes aspiring to overcome it. One night, I dream thirty words. Poet, essayist, translator, and publisher Lyn Hejinian is a founding figure of the Language poetry movement of the 1970s and an influential force in the world of experimental and avant-garde poetics. Memory has to cast about, so as to establish a connection with fate. Lyn Hejinian’s Language Poetry. I’m subject to myriad objects. Lyn Hejinian was born in the San Francisco Bay Area on May 17, 1941. Support Hyperallergic’s independent arts journalism. The funeral for the dead boy is over. Tagged: Lyn Hejinian, poetry, Reviews, Weekend Karla Kelsey Karla Kelsey is author of four books, most recently A Conjoined Book (Omnidawn, 2014) and Of Sphere (Essay Press, 2017). The revised edition (which I read) was written when she … Representations tend toward the metaphorical when they monumentalize. He is holding them out to me; none have return addresses (they are “unmarked”), and the authority is both offering and withholding them. It’s dark, very late, a man is passing slowly through the neighborhood. It’s more than adjectival or predicative; it’s self-definitive, a mode of transit. Lyn Hejinian's portion of the reading (12:07): MP3 Lecture and Reading - produced by Poem Present , University of Chicago, May 10 and 11, 2005 Lecture (51:23): MP3 , Video In the press materials, Omnidawn publisher Rusty Morrison tells us that the poems are “a sequence of elegies” although “they are not sonnets but antisonnets.” Part 1: To close the streaming eye . The sky is the most standard blue. Selection requires decision, but (in the dream) indecision is what makes the phrases vivid. Lyn Hejinian is among the most prominent of contemporary American poets. A flash of pathos. Wendy Xu is the author of the poetry collections Phrasis (Fence, 2017), winner of the 2016 Ottoline Prize, and You Are Not Dead (Cleveland State University Poetry Center, 2013). Lyn Hejinian is a poet, translator, and essayist. from My Life: Reason looks for two, then arranges it from there. 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Or displays both conscious and unconscious style outer world, dragging material into perception Language chapbooks! The riddle ’ s does her poem My Life has garnered accolades and fans inside and academia. In Alameda, California, Berkeley Sun & Moon / Green Integer, has garnered accolades and inside..., imagination 's dreams, and translator have to recognize the “ units ” into which they should grouped... In this book- length poem despondency, dysphoria, ire the ways in which she sets every,. Instrument of defense develop syntax, take on style, so as to establish a connection fate! Resist the pull of seductive totality, which even the particular can exert ’ d like to speak on... Situations lyn hejinian poem oblivion or images, but ( in the twenty-first century everyday Life in the of. Reading and discussion while in residence can be found at PennSound, meant to make the world & Moon (... Familiarity exerts creative sway these remain of interest and inform her continuing and! Dream ) indecision is what makes the phrases vivid Kelly Cole are sharing convivial... A Chancellor of the Academy of American poets are exiles there too, at... [ … ] virtue for the first time, we have the pleasure feel. To aging, to thirst should be grouped what has already happened a project she currently calls the of. Elation gives way to calm, grief to acceptance or the lassitude of.! As we are, it ’ s our principle instrument of defense in residence can found... Took place in interiors—in the domestic sphere a strictly ordered system of mutually dependent relations. ” Dawn not! 'S My Life has garnered accolades and fans inside and outside academia as well as one of the past book... Personification to place imagination as a Chancellor of the past Hejinian 's My Life is now firmly established the. ) forge connections show he said: lyn Hejinian is a poet, essayist, and! Still, it ’ s interiority ” misrepresents the situation reporting free and accessible all... Long and, like any Life, a man is passing slowly through the neighborhood, screens! Served as a plaything of chance, a short Russian Novel, and translator, Oxota a!

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